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Overview

Contemporary African Art

at Harvard Business School

Opens February 2024

Online Exhibition

Celebrating the vibrant African contemporary art scene, this online exhibition features works from the Schwartz Art Collection and the C. Ludens Ringnes Sculpture Collection. Harvard Business School has recently acquired many of them. These artworks—by Ethiopian, Ghanaian, Namibian, Nigerian, and South African artists represented in the collections at HBS—address an array of timely topics. They raise issues of ancestry and identity; archives and history; memory and trauma; legacies of colonialism and apartheid; globalization and trade; and climate and natural resources.

The works in this exhibition offer another view of the continent, one that also counters clichés. As Ethiopian artist Aïda Muluneh stated in a 2017 Guardian article, "When people think about Africa right now, they often only think about animals, war, and famine. I'm trying to distort that impression to provoke questions in a different sense." Simultaneously speaking to local politics and histories as well as universal themes, the eight works in this online exhibition—by artists Philip Kwame Apagya, William Kentridge, Vivienne Koorland, Tuli Mekondjo, Zanele Muholi, Muluneh, and Yinka Shonibare CBE RA—can encourage questions, foster conversations, and create connections. 

For more information about each work in the online exhibition, click on the images below.

Exhibition curated by Melissa Renn, Collections Manager, HBS Art Program & Collections.

Virtual Tour

Philip Kwame Apagya (Ghanaian, born 1958) William Kentridge (South African, born 1955) Vivienne Koorland (South African, born 1957) Vivienne Koorland (South African, born 1957) Tuli Mekondjo (Namibian, born 1982) Zanele Muholi (South African, born 1972) Aïda Muluneh (Ethiopian, born 1974) Yinka Shonibare, CBE RA (British–Nigerian, born 1962)

Philip Kwame Apagya
(Ghanaian, born 1958)

Francis, 1996/2003
Chromogenic print
27 1/4 x 19 1/2 in. 
Schwartz Art Collection, Harvard Business School, 2004.4 
© Philip Kwame Apagya

William Kentridge
(South African, born 1955)

Universal Archive (Big Tree), 2012
Linocut printed on 15 nonarchival sheets of Encyclopedia Britannica mounted on white wove paper
32 5/16 × 35 7/16 in. 
Schwartz Art Collection, Harvard Business School, 2023.5
© William Kentridge. Courtesy of David Krut Projects

Vivienne Koorland
(South African, born 1957)

Mute Piano, No. 2 (Dedicated to My Grandfather, Rafael), 2013
Wood, staples, screws, oil, pigment, and glue
18 x 21 x 15 in. 
Schwartz Art Collection, Harvard Business School, 2015.10

Vivienne Koorland
(South African, born 1957)

Dark Poem Painting (What I Call You When I Think About You and You Are Not There),  2005 
Oil on stitched canvas 
48 x 44 in. 
Schwartz Art Collection, Harvard Business School, 2006.10

Tuli Mekondjo
(Namibian, born 1982) 

Otwa umbata oudjuu wetu, momalutu, no momitima detu / Within our bodies and our hearts, we carry our burdens, 2023
Image transfer, mahangu (pearl millet), resin, spray paint, cotton embroidery thread, bamboo crochet yarn, and rusted cotton fabric on canvas
61 3/4 × 70 1/4 in. 
Schwartz Art Collection, Harvard Business School, 2023.7

Zanele Muholi
(South African, born 1972)

Bangezile, Adams Mission, 2021
Gelatin silver print, 21 5/8 × 16 1/8 in. 
Schwartz Art Collection, Harvard Business School, 2023.3
Courtesy of the artist and Yancey Richardson Gallery © Zanele Muholi

Aïda Muluneh
(Ethiopian, born 1974)

Beside the Door (Water Life Series),  2018 
Archival digital photograph
31 1/2 × 31 1/2 in. 
Schwartz Art Collection, Harvard Business School, 2023.6
© Aida Muluneh. Image courtesy of the artist and David Krut Projects

Yinka Shonibare, CBE RA
(British–Nigerian, born 1962)

Wind Sculpture (SG) V, 2019 
Stainless-steel armature with hand-painted, glass-reinforced polyester cast
275 1/2 × 100 × 78 5/8 in. 
C. Ludens Ringnes Sculpture Collection, Harvard Business School, 2021.1
© Yinka Shonibare CBE RA. All Rights Reserved, DACS/ARS, NY 2023

 

 

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