Bibliography
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"Art Centre Forms a New Corporation," New York Times (March 26, 1932).
Full text available as a networked resource
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"Advertising and Photography," Pictorial Photography in America 4 (1926).
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Bogart, Michele H. Artists, Advertising, and the Borders of Art. Chicago: University of Chicago Press, 1996.
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Bok, Edward William. "The Day of the Advertisement," Atlantic Monthly (October, 1923): 132, no. 4.
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Brock, H. I. "The Magic of the Clicking Camera," New York Times (September 16, 1934).
Full text available as a networked resource
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Bourke-White, Margaret. Commercial Photographer (April 1934): 193.
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Brown, Elspeth H. The Corporate Eye: Photography and the Rationalization of American Commercial Culture 1884-1929. Baltimore: The Johns Hopkins University Press, 2005.
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Campbell, Heyworth, Art Centre Bulletin (September 1924): 1, no. 1.
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Calkins, Earnest Elmo. Business: The Civilizer. Boston: Little, Brown and Company, 1928.
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Copeland, Melvin Thomas. And Mark an Era: The Story of the Harvard Business School. Boston: Little Brown, 1958.
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Cruikshank, Jeffrey L. A Delicate Experiment: The Harvard Business School, 1908-1945. Boston: Harvard Business School Press, 1987.
Full text available as a networked resource
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Fulton, Marianne, ed. and text by Bonnie Yochelson, Kathleen Erwin. Pictorialism into Modernism: The Clarence H. White School of Photography. New York: Rizzoli, 1996.
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Harvard University. Graduate School of Business Administration. The Graduate School of Business Administration (June 22, 1932): XXIX, no. 28.
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"Industrial Pictures and their Relation to Business History." Bulletin of the Business Historical Society (May 1934): 8, no. 3.
Full text available as a networked resource
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Johnston, Patricia. Real Fantasies: Edward Steichen's Advertising Photography. Berkeley: University of California Press, 1997.
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"Harvard Couples Art and Industry," New York Times (June 19, 1932).
Full text available as a networked resource
(Harvard users only: Harvard ID and University PIN required) -
Harvard Graduate School of Business Administration. Harvard Advertising Awards. New York: Barton, Durstine, & Osborn, Incorporated, 1925.
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Kennedy, Peter Stanners Ross. "Above the Marketplace: A History of the Harvard Advertising Awards," 1924-1930. Thesis, Harvard University. 2003.
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Lears, Jackson. "Uneasy Courtship: Modern Art and Modern Advertising," special issue: Modernist Culture in America. American Quarterly (Spring 1987): 39, no. 1.
Full text available as a networked resource
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Marchand, Roland. Advertising the American Dream: Making Way for Modernity, 1920-1940. Berkeley: University of California Press, 1985.
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Messier, Paul. 20th "Century Black and White Papers." Notes on Photographs. George Eastman House website: http://notesonphotographs.eastmanhouse.org/index.php?title=Messier,_Paul._20th_Century_Black_and_White_Papers.
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Phillips, Christopher Phillips. "The Judgment Seat of Photography," October (Autumn 1982): 22.
Full text available as a networked resource
(Harvard users only: Harvard ID and University PIN required) -
"Photograph Show to Open Tuesday," New York Times (September 15, 1934).
Full text available as a networked resource
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Roberts, Pam. A Century of Colour Photography from the Autochrome to the Digital Age. London: Andre Deutsch, 2007.
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Sobieszek, Robert. The Art of Persuasion: A History of Advertising Photography. New York: H.N. Abrams, 1988.
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Stegner, Mabel J. "The Art of Advertising Food," Commercial Photographer 3 (June 1928).
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Stein, Sally Ann. The Rhetoric of the Colorful and the Colorless: American Photography and Material Culture Between the Wars. Ann Arbor: University of Michigan, 1991.